Archive for the 'Video' Category

Gunnar Stenmark: Maker of Swedish folk fipple flutes

The craft of luthier, or instrument maker, is certainly not for everybody. Instruments made from well-seasoned woods by experienced hands in tiny and cosy workshops have a completely different soul than the mass-produced instruments that leave the factory every day. The luthier who knows what he or she is doing will produce an instrument that is going to be unique, simply because the manual processes carried out and especially the energy put to the task vary in every occasion.

Moreover, there are some luthiers who produce instruments that factories cannot or do not even care to produce. In these cases, it is thanks to the instrument makers that some instruments survive to our days, and sometimes they are even reborn. Such is the case of Gunnar Stenmark, a very talented instrument maker from Ås (Jämtland, Sweden) who specializes in traditional and newly-developed folk wind instruments.

Gunnar earned his fame for building härjedalspipor but he also builds offerdalspipa, bjårkspipa, caval, åspipa, stenlundapipa and månmarkapipa . He is also a member of the band Glamaleik and became a riksspelman in 2007.

I own two fipple flutes made by him: a månmarkapipa in A and an offerdalspipa in E. Both are of really good quality and produce an astonishing sound and tone. The månmarkapipa is a 7-hole variety of the härjedalspipa, which adds an extra semitone below the keynote (which in my case would be a G#). This modification came as a suggestion by probably the most well-known Swedish piper, Göran Månsson, because there are many Swedish folk melodies that have this interval. As a result of this joint-project of research and manufacture the flute bears part of both their last-names (månsson+stenmark = månmarkapipa).

Here follows a video I made with pictures of a trip to Skåne and Öland (Sweden) and where I play a melody of my own on the månmarkapipa. It is entitled “Ett Vallspel” (A shepherd´s tune):

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If you would like to have a månmarkapipa (or any other Swedish whistle) of your own, you can order them directly from the maker here 

Some of the different whistle Gunnar Stenmark makes

 

Hurdy Gurdy in Sweden and other Nordic Countries – videography

Tre Strömningar (a polska played by Göran Hallmarken):

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Långdans från Sollerön (played by Göran Hallmarken):

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Mocksand (a slängpolska played by Anders Ådin):

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Hälleforsnässaren (played by Anders Ådin):

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Vevlira i Binsjö 2008 (With the Swedish lirare Johannes Hellman Geworkian):

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Groddapolska:

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Jagågunnar (Göran Hallmarken and  his friend Gunnar jamming with Hurdy Gurdy and Lute/mandora):

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Improvisation by Harald Pettersson:

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Skrömta at the Skog medieval festival:

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Valravn live in Korrö Festival:

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Valravn live in Korrö Festival 2:

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Garizim playing “Snurrkulan”:

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Ian Anderson´s Jethro Tull

Three days ago I had the honour of attending Ian Anderson´s show here in B.A. I wasn´t feeling so well, a rough week thanks to some stomach virus, but boy did his concert cheer me up!

This 64-year old folkrocker sure knows how to squeeze both heavenly and hellish sounds out of a flute and his presence is simply awe-inspiring. Thanks Ian for lighting up this flame inside me again.

For those who still aren´t in the know (shame on you), this is what I am talking about:

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Excerpt from “Ian Anderson plays the Orchestral Jethro Tull“.

Matthias Loibner – Hurdy Gurdy virtuoso

Michal Shapiro (contact her) has conducted a nice little interview with Austrian hurdy-gurdy player Matthias Loibner, where he talks about his instrument, his playing and he actually ends up showing how the hurdy-gurdy works and sounds like.

Really enjoyable. Check it out!

(From Inter Muse website)

The Hurdy-Gurdy has an undeserved reputation as a “medieval” instrument.  In truth, it has been developing since then, with many innovations added to it along the way. In the hands of Matthias Loibner, recognized as one of the great players of the instrument, it moans, growls and coos within a startling dynamic range.  Beyond the modifications he has personally developed with Wolfgang Weichselbaumer,  who crafts the instruments he also uses pedals and computer technology to expand the palette of the  instrument even further.

Mr. Loibner was in town for two back-to-back gigs, one at Joe’s Pub and the other at the Austrian Cultural Forum. I had the opportunity to see both performances, and I snagged him for an interview and explanation of his instrument.

Even if you already know a lot about the Hurdy Gurdy, I recommend watching this all the way through to catch the last bit of performance in which Loibner plays a passage worthy of Bill Frisell.

 

 

 

 

 


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